Master of Arts in Literature

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    PORTRAYAL OF THE WORLD OF THE DEAD IN DANTE’S DIVINE COMEDY AND AMOS TUTUOLA’S THE PALM-WINE DRINKARD
    (2024-10-08) Ethel Nambozo
    Researchers have written about themes and characters in Dante’s The Divine Comedy and Tutuola’s The Palm-wine Drinkard but little or no comparative research has been done on these two texts. This study therefore seeks to examine and compare the portrayal of the world of the dead as a setting by Dante Alighieri and Amos Tutuola in their texts The Divine Comedy and The Palm Wine Drinkard respectively and how this setting influences their choice of characters and themes. The study will be based on three objectives: 1) To establish what influences Dante and Tutuola’s choice of setting as the world of the dead. 2) To determine whether their choice of setting affects their choice of characters. 3) To establish whether their themes are affected by their choice of setting. The following research questions will guide the study: 1) How do Dante and Tutuola’s religious, education and social background influence their choice of setting (world of the dead)? 2) How does the world of the dead as a setting influence Dante and Tutuola’s choice of characters? 3) How does this setting influence Dante and Tutuola’s themes in their selected works? The study will be library based, and will draw on textual analysis and interpretation of the texts. Data will further be analyzed and interpreted following the sociological and psychoanalytic theories of literary criticism. The sample will comprise two books The Divine comedy by Dante and The Palm-Wine Drinkard by Tutuola. The study will establish that Dante and Tutuola’s historical background, environment, religion and education background affect their choice of the world of the dead as the setting in their selected works. Dante’s choice is heavily influenced by Catholicism, his knowledge of Greek mythology and the political struggles of his time while Tutuola is heavily influenced by Yoruba mythology and Christianity. It will therefore be concluded that these findings are in agreement with the psychoanalytic theory and the sociological theory, which argue that a setting is a consequence of the author’s subconscious minds developed under their respective experiences like their education, that art has an important relationship with the society in which it is set and art is supposed to be a tool for social transformation, Dipio Dominic (1998).
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    Exploring the Prose Style Techniques of Chinua Achebe in Things Fall Apart (1958) and Athol Fugard in Tsotsi (1980) Through a Cinematic Lens
    (2024-11) Geoffrey Abraham Bakiraasa Ssenoga
    The study is an exploration of prose style techniques through a cinematic lens of two African fiction writers. It specifically focuses on Chinua Achebe’s Things Fall Apart (1958) and Athol Fugard’s Tsotsi (1980). The major purpose of the study is to establish that though these are novels written in a traditional sense, the narrative techniques the authors use respectively, express cinematic technique. The study established that the cinematic prose style techniques not only concretises the story experiences in the novels but in the long run can be used to promote African literature in reconfiguration to film through a framework that rests on cinematic prose technique for its operation. The study recommends that this framework be applied to the reading of other African literary genres such as poetry, drama, oral literature and fiction for the purpose of creating more visibility for African literature
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    Investigating the Significance of Orality and Literariness in Timothy Wangusa’s Novels: ‘Upon This Mountain’ and ‘Betwixt Mountains and Wilderness’
    (Uganda Christian University, 2024-05-13) Norah Adeke
    This study delves into the profound significance of orality and literariness within Timothy Wangusa's captivating novels, namely "Upon this Mountain" and "Betwixt Mountain and Wilderness." It explores how these literary elements play a pivotal role in elevating aesthetic experiences while simultaneously shedding light on historical contexts and power dynamics during the postcolonial era. The primary objectives of this study encompass a meticulous analysis of Wangusa's masterful incorporation of orality, a critical evaluation of his adept utilization of literariness, and an examination of how these carefully interwoven elements contribute to the vivid portrayal of cultural and historical themes within the selected novels. To achieve these objectives, the researcher employed a qualitative analysis approach, with a specific focus on Wangusa's novels that prominently exhibit the captivating elements of orality and literariness, placing particular emphasis on the two aforementioned literary works. With remarkable skill, Wangusa seamlessly integrated various aspects of orality, including captivating recitations, thought-provoking proverbs, and engaging oral narratives. Additionally, he employed a wide array of literary devices such as powerful similes, evocative metaphors, and thought-provoking irony to enrich the narrative experience. Furthermore, this study draws attention to the rich and vibrant tradition of the Bamasaaba people, specifically emphasizing the profound importance of imbalu traditional ceremonies during the advent of White rule. This cultural context adds depth and significance to the exploration of orality and literariness within Wangusa's works. The compelling findings of this study underscored the undeniable impact of Wangusa's adept utilization of orality and literariness. These elements effectively contribute to the creation of profound aesthetic experiences for readers, while simultaneously portraying historical contexts and power dynamics within the postcolonial era. The comprehensive collection and meticulous analysis of data strongly validate the researcher's objectives, solidifying the significance of orality and literariness in Wangusa's novels and their ability to captivate readers and illuminate historical realities.
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    The Depiction of Women in Contemporary Femrite Short Story Anthologies
    (2024-04-19) Fortunate Kansiime
    Gender representation in female-authored literary texts has hitherto been characterised as a positive representation of women contrary to the former subjective misrepresentation and underrepresentation of women by male authors. The study sought to broaden the understanding of women's depiction in contemporary female-authored FEMRITE short story anthologies. It investigated the depiction of women's character traits, assigned roles, and gender-related themes in female-authored short story anthologies published by FEMRITE Publications Limited, Uganda. The study analysed fifteen short stories, selecting five from each of the three FEMRITE-published short story anthologies selected for the study. These were: Pumpkin Seeds and Other Gifts (2009) edited by Hellen Moffet and Violet Barungi, Summoning the Rains (2012) edited by Hilda Twongyeirwe and Ellen Banda-Aaku, and Nothing to See Here (2015) edited by Hilda Twongyeirwe). The short story anthologies used for the study consisted of short narratives compiled in the FEMRITE Annual Residency for African Women Writers. Feminism is a theory that premises itself on the importance of gender equality that develops an account, identify the causes and effects of women’s subordination and prescribes the strategies for women’s liberation. This theory was employed in the study to ascertain the representation of women and their struggles to gain equality and fair treatment from the point of view of female authors. Gender theory, which describes gender roles, was also used in the study to examine the roles assigned to female characters and roles of female authors in the struggle to gain equality in female-authored texts. The study employed a qualitative approach based on the collection of textual material, analysis, and interpretation of the texts. Data were presented, analysed, interpreted, and discussed using a textual checklist based on the feminist and gender literary theories. The findings of this research indicate that the study achieved its purpose/objectives and successfully answered its research questions. The research recommends that works of female authors should be made available and accessible to the public since they create a positive representation of women. It further recommended that the publication of more female-authored literature be used to sensitize the population about issues of gender equality, and human rights support and writing more reviews about the FEMRITE short story anthologies that have not received much scholarly attention.
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    A Comparative Study on the Trials of Dedan Kimathi by Ngugi Wa Thiongo and Micere Mugo and A man for All Seasons by Robert Bolt
    (2024-04-08) Gift Katusiime
    This study analyzed the setting, character portrayal and style in two plays. The first one by two African writers Ngugi wa Thiongo and Micere Mugo, The Trials of Dedan Kimathi and the second by a Western writer, Robert Bolt’s A Man for All Seasons. The research was library-based, enhanced by the textual data and electronic sources to establish materials related to the two selected plays, and it was conducted using qualitative analysis to examine the data from the two selected plays. The study employed two theories; Formalism theory, that is concerned with literature as a tool for social transformation, not only for entertainment, but also for teaching, criticizing, correcting and transforming society for the better and Sociological theory that advocates for purposive choice of words and use of figurative language for the analysis and interpretation of data. The two plays are concerned with the battle of conscience of the characters, and are about true historical events that happened in two different countries with a period difference of over 400 years. The plots of the two texts are rooted in the historical events leading to the deaths of the two heroes. These are: Sir Thomas More, the 16th Century Lord Chancellor of England and Dedan Kimathi, the leader of the Mau Mau Liberation Movement that occurred in the mid-20th century in Kenya. The two heroes are versatile, resilient and responsive to change throughout the course of the two selected plays, despite all the trials and temptations that are set before them. They remain true to their consciences and beliefs. Therefore, the study found out that the two plays have a similar thread, they are both tragic and tense, and the characters go through trials and die a tragic death for reasons that are beyond them. Hence, they are symbolic characters because they stand for a greater cause. The setting of the two countries is mainly characterized by rebellion, frustration with the status quo, indignation toward authority, lack of approval of a law, and refusal to comply with the oppressor. Hence tense and rebellious relations.